Find Your Chesapeake
July 29, 2015
To provide observations and information on the emerging fields of landscape scale conservation, heritage preservation, and sustainable community development.
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In March 2020 Smithsonian sponsored a symposium to tackle two perspectives on the climate crisis’s impact on cultural heritage – the threat to the resources and the value of these resources as a source of resilience for communities to address climate change. The gathering brought together a lineup of inspiring speakers to empower cultural heritage authorities, managers, and advocates to pursue more ambitious engagement and collaborative approaches with to the threat of climate change. This discussion is more relevant than ever.
Everyone agrees that world will look very different after the current crisis. One change that should have been foreseen, but was not widely predicted was the impact on agriculture. The underlying structural problems facing the farming community worldwide were well known, but under appreciated.
Threats such as an aging farmer population, critical labor shortages, global market forces, urbanization, and a changing climate have made this sector vulnerable.
Understandably attention has been riveted on the spread of the Corona virus. And as is often the case, the controversy over the current administration’s management of visitation to the United States’ National Parks has taken center stage. However, while these decisions have conservation downsides, there are much bigger ongoing efforts to dismantle a host of well-established conservation programs that are still moving forward.
Pennsylvania’s Conservation Landscapes program was launched more than a decade ago to connect people to the Commonwealth’s rich heritage of parks and forests. Today with seven designated Conservation Landscapes, it is a model of landscape scale resource management.
An Iranian architect and artist has proposed a conceptual initiative to highlight the risk to world heritage sites in Iran and to flag the importance of these irreplaceable buildings and landscapes in a time of heightened world conflict. As it turns out, it is not a completely new idea.
In March 2020 Smithsonian sponsored a symposium to tackle two perspectives on the climate crisis’s impact on cultural heritage – the threat to the resources and the value of these resources as a source of resilience for communities to address climate change. The gathering brought together a lineup of inspiring speakers to empower cultural heritage authorities, managers, and advocates to pursue more ambitious engagement and collaborative approaches with to the threat of climate change. This discussion is more relevant than ever.
Everyone agrees that world will look very different after the current crisis. One change that should have been foreseen, but was not widely predicted was the impact on agriculture. The underlying structural problems facing the farming community worldwide were well known, but under appreciated.
Threats such as an aging farmer population, critical labor shortages, global market forces, urbanization, and a changing climate have made this sector vulnerable.
Understandably attention has been riveted on the spread of the Corona virus. And as is often the case, the controversy over the current administration’s management of visitation to the United States’ National Parks has taken center stage. However, while these decisions have conservation downsides, there are much bigger ongoing efforts to dismantle a host of well-established conservation programs that are still moving forward.
Pennsylvania’s Conservation Landscapes program was launched more than a decade ago to connect people to the Commonwealth’s rich heritage of parks and forests. Today with seven designated Conservation Landscapes, it is a model of landscape scale resource management.
An Iranian architect and artist has proposed a conceptual initiative to highlight the risk to world heritage sites in Iran and to flag the importance of these irreplaceable buildings and landscapes in a time of heightened world conflict. As it turns out, it is not a completely new idea.