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In this final issue on these principles, we consider the essential need to communicate with the general public about the principles showing how heritage values
Je-Hun Ryu and Fran Han point at the problem of using the concept behind World Heritage “cultural landscape” in Korea and China respectively, because it follows a modern Western-European idea of nature, as separate from culture. They both explain the historical background in their own contexts of an undivided nature-culture paradigm, and where humans are understood as part of the natural world
In this final issue on these principles, we consider the essential need to communicate with the general public about the principles showing how heritage values
Je-Hun Ryu and Fran Han point at the problem of using the concept behind World Heritage “cultural landscape” in Korea and China respectively, because it follows a modern Western-European idea of nature, as separate from culture. They both explain the historical background in their own contexts of an undivided nature-culture paradigm, and where humans are understood as part of the natural world